The materials claim their referents to the real, the daily life, the banal. Maybe they are just another way of referring to the dystopian contemporary aesthetics. The one of a negative future, cataclysmic or moribund who joined in his retrospective sense of time, a prehistoric time, an immemorial one. They embody in the exhibition space this same vulnerability and cause doubt in the viewer by their ability to combine their destruction forms of an familiarity aesthetic.